#Baby ninja turtles 2nd b day pro#

To get rid of these obnoxious sounds use a pop filter or windscreen with the microphone during recording. Open-back headphones are great for listening to music, but they can leak sound in recording sessions.Īvoid plosives, which are the popping “P’s' and “B’s” that can ruin recordings.

Otherwise, make sure to use closed-back studio monitor headphones that fit tightly over the ears. The easiest fix is to turn the headphone level down. This can happen when the headphone level is too loud. It is best to keep use of all these tools at minimal levels.ĭon't allow bleed from headphones to enter the microphone. However, be careful not to alter the audio too drastically. Narration or podcast presets in other apps include voice levelers and noise removal effects.

#Baby ninja turtles 2nd b day pro#

If you are using a DAW, the narration vocal preset in Apple’s Logic Pro and GarageBand’s voice library can help. These, which can be found in a single channel strip or through plug-ins, can help balance and smooth out the sound with varying audio levels. Next, depending on the recording, use light compression, a de-esser, EQ or a limiter. Try to get the different voices to the same amplitude. This is when minor processing might be necessary to balance the sound levels.įirst, use the “normalize” function separately on each voice’s channel. When doing interviews with more than one microphone - even when the levels are set correctly - there may be level differences in the voices. See where you hit red and then lower the volume from that level. During set-up for the recording, first do a test where you speak louder than normal into the microphone. Keep an eye on the input level and adjust it to get optimal gain.Īvoid digital recording levels that are too hot. When not running sound with an engineer, make sure the input VU meter is visible and the level control nearby. The voice is a dynamic sound source which can be a bit difficult to handle. Though human speech may seem easy to record, it is not. One way to make close speaking easier is to use an articulating boom to bring the microphone as close as possible and easily adjust the speaker's position when needed. That is perhaps the major single reason for poor sound. It’s important not to work too far away from the microphone in an untreated space.

These attenuators are widely used with dynamic mics and are available from several manufacturers.

Being close to the mic also means the preamp level will not have to run as high, which can add noise to the signal.Īlso - depending on the mic used - it might be wise to add an inline level boost attenuator to give a 12 to 20dB elevation to the level of the microphone’s signal. The resulting proximity effect will minimize thinness and give the voice a nice low-end boost. This is the key reason that mics like the Shure SM7B and Electro-Voice RE20 are so popular.

Instead, use a dynamic microphone and work close to the mic. In offices, homes or other spaces that are not acoustically treated, high quality condenser microphones are usually the wrong choice. One of the most basic errors in amateur podcasts is poor mic technique or using the wrong kind of microphone for the recording space.